Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12323/7632
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dc.contributor.authorGarayeva, Gunay Aghamuhammed gizi-
dc.date.accessioned2024-09-16T11:19:32Z-
dc.date.available2024-09-16T11:19:32Z-
dc.date.issued2024-
dc.identifier.issn2223-2613-
dc.identifier.issn2223-2621-
dc.identifier.urihttp://hdl.handle.net/20.500.12323/7632-
dc.description.abstractAlong with its own component of the plot, the symbol can be considered as one of the active components in its construction, development and illuminating (clearing). The symbol, which initially acts as an image, realizes the dynamic development of the artistic text, the process of bringing the language components together and realizing the idea. In the article, the role of the symbol, which has a multifaceted and complex function within the plot, in the construction of the literary text, in revealing thoughts and ideas, and the author’s object and purpose is considered. At the same time, image-symbol relations, the function of the symbol in the literary text, and its relationship with other poetic categories are widely studied and analyzed. The artistic text manifests not only its poetic aspects, but also the historical and social conditions and the demands of the time. A symbol, as an artistic system, can be changed and get renewed from time to time in terms of idea-artistic vision in relation to time. In this, the symbolic function is performed by various means. One of the main means of determining the dynamic development in the process of establishing plot-symbol relations in a literary text is natural manifestations, events and objects. They are symbolized within the text; the construction of the plot allows the author’s position and idea to be revealed. In the research work, diverse function of the symbol in the formation of the plot is followed by referring to many theories and concepts, and based on the application of the scientifictheoretical literature available in this field to the artistic material, the main leading function of the symbol in the artistic text is revealed. In the article, with reference to the theoretical views of scientists V.F.Hegel, A.F. Losev, A. Potebnya, Y. M. Lotman, A.Auer, A. Avarentsev, A.V.Korpenko, P.D.Minichkin and others, analyzes are conducted by applying comparative-analysis, generalization research methods, and finally our thoughts and opinions are summarized.en_US
dc.language.isoenen_US
dc.publisherKhazar University Pressen_US
dc.relation.ispartofseriesVol. 27;Khazar Journal of Humanities and Social Sciences, № 2-
dc.subjectploten_US
dc.subjectsymbolen_US
dc.subjectimageen_US
dc.subjectideaen_US
dc.subjectpoetic categoryen_US
dc.subjectpoemen_US
dc.titleThe Role of the Symbol in the Formation of Ploten_US
dc.typeArticleen_US
Appears in Collections:2024, Vol. 27, № 2

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