Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12323/3830
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dc.contributor.authorHasanova, Aysel-
dc.date.accessioned2018-10-12T08:28:48Z-
dc.date.available2018-10-12T08:28:48Z-
dc.date.issued2018-
dc.identifier.urihttp://hdl.handle.net/20.500.12323/3830-
dc.description.abstractThe thesis deals with the issue of stylistic repetitions in the novel “The Old Man and The Sea” by Ernest Hemingway. The stylistic potential of the idiolect of Ernest Hemingway in the novel “The Old Man and The Sea” is remarkably noticed in the use of repetitions in various functions. Repetitions are directly related to the "style-forming core" of Ernest Hemingway's individual handwriting. They stem from the nature of the creative individuality of the writer. In the nature of repetitions, in their quantitative use, in the nature and stylistic originality, the emotion, tension of the narration are manifested with particular brightness. The origins of the repetition in the excitement accompanying the expression of a feeling brought to the highest tension. The theoretical and methodological basis of the study conditioned by the aims and task set before the research requires the following methods: semantic – contextual and functional and stylistic analysis of repetitions; descriptive method of various approaches to the use and nature of repetitions; the method of theoretical substantiation of the essence of such a stylistic device; method of continuous sampling of the actual language material.en_US
dc.language.isoenen_US
dc.subjectstylistic repetitionen_US
dc.subjectanaphoraen_US
dc.subjectepiphoraen_US
dc.subjectlexical repetitionen_US
dc.subjectsyntactical repetitionen_US
dc.titleThe Role of Stylistic Repetitions in the Novel "The Old Man and the Sea" by Ernest Hemingwayen_US
dc.typeThesisen_US
Appears in Collections:Thesis

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