Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12323/3756
Title: Third Space, Hybridity, and Colonial Mimicry in Fugard's Blood Knot
Authors: Ghasemi, Parvin
Sasani, Samira
Nemati, Fatereh
Keywords: Post -colonialism
Homi Bhabha
Athol Fugard
Blood Knot
Third Space
Hybridity
Colonial Mimicry
Issue Date: 2018
Publisher: Khazar University Press
Citation: Khazar Journal of Humanities and Social Sciences
Series/Report no.: Vol. 21;№ 1
Abstract: Literature, as a branch of Humanities, has a significant role in demonstrating the problems and the realities of a society. Therefore, the literary texts written in South Africa, had a major role in the victory of people against the policy of Apartheid, according to which the whites were segregated from non-whites. Harold Athol Lanigan Fugard is one of the writers, who showed his hatred and dissatisfaction to the world, with his plays. He is known for his deeply rooted and controversial anti-apartheid plays. His Blood Knot (1961) has been chosen in this study, in which the negative implications of colonialism and racism can be explored. Bhabha is one of the influential critics whose works give priority to the agency of colonized people. The relation between the colonizer and the colonized will be scrutinized subsequently according to what Bhabha mentioned in his influential book The Location of Culture.
URI: http://hdl.handle.net/20.500.12323/3756
ISSN: 2223-2613
Appears in Collections:2018, Vol. 21, № 1

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