Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.12323/3216
Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Hafezikermani, Ehsan | - |
dc.contributor.author | Fazli, Roshanak | - |
dc.date.accessioned | 2016-02-09T11:15:07Z | - |
dc.date.available | 2016-02-09T11:15:07Z | - |
dc.date.issued | 2013 | - |
dc.identifier.issn | 2223-2621 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12323/3216 | - |
dc.description.abstract | “Somewhere, on the edge of consciousness, there is what I call a mythical norm, which each one of us within our heart knows that is not true. In America, this norm is usually defined as white, thin, male, young, heterosexual, Christian, and financially secure. Those of us who stand outside that power often identify one way in which we are different, and we assume that to be the primary cause of all oppression, forgetting other distortions around difference, some of which we ourselves may be practicing.” (Lorde, 631) | en |
dc.language.iso | en | en |
dc.publisher | Khazar University Press | en |
dc.relation.ispartofseries | Volume 16;Number 4 | - |
dc.title | Survival of the Artist in Margaret Atwood’s Cat’s | en |
dc.type | Article | en |
Appears in Collections: | 2013, Vol. 16, № 4 |
Files in This Item:
File | Description | Size | Format | |
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3.+Volume+16+number+4.pdf | 357.04 kB | Adobe PDF | View/Open |
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